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  Matthew J. Kaplan
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Jump (For My Love) – 1984

2/26/2025

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Written by Marti Sharron, Gary Skardina, and Stephen Mitchell
Recorded by the Pointer Sisters


Two years earlier, the Pointer Sisters wanted a man with a slow hand, a lover with an easy touch, but by 1984, the world had changed, they had grown less patient and they now demanded that interested parties Jump for their love! 

This song is certainly a lot more sexual than I realized when first enjoying it as a child. To me, it was a fun song about jumping. But this song is not just about jumping, or intercourse – this is a love song.

The protagonist, portrayed by sister June Pointer, yearns for her lover to open themselves up to an emotional relationship beyond the sex. She likes the sex, don’t get her wrong, but ultimately, she needs more. Her lover needs to show her how much they care. They need to jump in. After all, if they want to taste her kisses in the night, then jump, jump for her love.

But then there’s the bridge. The music builds, creating tension – it rises climatically but does not immediately resolve. Our protagonist is alone, she’s thinking about how hot their love is, and her message strays. She’s overcome with passion and tonight, there will be no need to jump for her love, only into her bed.

When you are next to me, oh, I come alive
Your love burns inside
It feels so right
Come to me if you want me tonight!


This single was released within the same few months as Van Halen’s song of (almost) the same name, from their tremendous "1984" album. We liked jumping in the early eighties. That is, until too many kids got hurt on trampolines. 

-MJK


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​America – 1968

2/12/2025

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Written by Paul Simon
Recorded by Simon and Garfunkel

 
The story of “America” follows a young couple on their journey from Saginaw, MI to somewhere on the New Jersey Turnpike, perhaps Philly or Trenton. It’s unclear where they wind up but I’ve always assumed it was New York, and hopefully not Atlantic City. The action takes place on a bus that our protagonist and his girlfriend Kathy board in Pittsburgh. But this is no ordinary road trip and Simon’s Greyhound transports our couple from the innocence of youth to the responsibilities of being a grownup.
 
The couple buy snacks and cigarettes, and the first leg of their trip eastbound across Pennsylvania seems to be going well. The two are not yet weighed down by the crushing realities of adulthood and they enjoy what is left of their fleeting innocence as we move into the bridge:
 
Laughing on the bus
Playing games with the faces

She said the man in the gabardine suit was a spy
I said "Be careful, his bowtie is really a camera"
 
Musically, the bridge introduces a shift in key and a soprano saxophone that joyfully chases after the bass line like two children in a playground. But this couple are no longer children. The bridge drifts back into the verse like the transition from a sweet dream into the harsh awareness of the waking life. The soprano sax is gone – and so are their cigarettes – oh no!
 
Without the coping mechanism of a good smoke, our protagonist struggles with his first existential crisis. He’s lost and no one can hear him. But the good news is he’s not alone – everyone is lost, but no one has given up hope: they’ve all come to look for America.  

-MJK  
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Grease - 1978

2/4/2025

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Written by Barry Gibb
Performed by Frankie Valli


The film Grease was part of my childhood. It continued to screen throughout the 80s and I saw it in the theater twice, as well as endless times on TV and VHS. While most of my favorite music steered towards rock, new wave and early hip hop in those days, I never could deny a good musical.
 
Grease (is the Word) starts and closes the film. We're treated to the thumpy goodness of this song while the opening credits accompany an animated vision of what awaits us in the film. This song was written specifically for the movie and did not join theatrical productions until after the film’s success.
 
This song was written by Barry Gibb and performed by Frankie Valli. It's gotta be great, right? Well, it's fun, it's full of hooks and Frankie, as always, sounds great - but what the "F" is this song about? Really. It's weird. It's not about the movie and in fact, it feels like it was written without any knowledge of the movie at all. Like, it's just a confusing vague song about something vaguely understood as "Grease."
 
So why am I including it on my Best Bridges Blog? Because I like weird shit too - especially when I lived my whole life not realizing how weird it is. Let's jump into the bridge! And remember, this is supposed to be a fun song to get us ready for a fun film. 
 
This is a life of illusion, wrapped up in trouble
Laced with confusion, what're we doin' here?

 
That sounds awful. It doesn't sound like the movie, so why is it there? I don't know! I have nothing left to say. I hope to get back into some other Barry Gibb songs. The guy could write a good song. This one is just weird, but still, I love it. 

-MJK
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    Best Bridges Blog

    Matthew J. Kaplan joins a collection of musicians, writers and oddballs to discuss our favorite musical bridges!

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